Welcome, welcome, welcome,
welcome, welcome everybody.
Hey, is that your program?
That's your folder bits?
That's my little folder bits
there.
Cool.
Hey everybody, it's Dave Weiner
and Adam Curry here.
Adam, where are you right now?
I'm right next to Dave Weiner.
Where?
What city?
We're in, well, I'm not allowed
to say--
Don't make the mistake again.
No, we're in South Beach.
We're in South Beach.
I'm not allowed to say meah.
Meah.
South Beach, FLA.
Where are we?
In Dave's room, because he has
--
after you bitched in Mone for
three days,
you finally got like a break
for the executive fucking show.
I got the fucking tits here.
No, we were happy you got it.
And we're like--
Best room in the fucking party.
Please give Dave a fucking
better--
Oh, we got a great view.
I should go get my camera right
now.
Take a picture for the folks
back home.
Can I queue up a song?
You can do whatever the fuck
you want.
OK, hold on a second.
This is dorm room.
This is trade secrets dorm room
.
Dorm room style.
Yeah, yeah, yeah.
OK, let's see.
Let's try this one.
[MUSIC PLAYING]
Hello, everybody.
[MUSIC PLAYING]
I have a little tune for you
here.
I dedicate this song to you, my
dear old ex.
The loser I was fortunate to
lose.
For sometimes, still your
memory blows on ill.
When back to me.
And just one little sniff gives
me these doo doo blues.
The doo doo blues.
Metal muffins in the moonlight.
Donkey droppings kissed by dew.
Prairie pucks out on the
pasture.
These reminded me of you.
Lizard lumplets in Laredo.
Doggy dumplings on my shoe.
Grizzly grunties in the glo
aming.
These remind me of you.
When you dumped on my heart.
You thought you'd soiled my
psyche forever.
But I'm wiping it off.
We've got a great movie to go
to this music mass.
Really?
Yeah.
I think it'll be just fine.
[MUSIC PLAYING]
We're going to keep this-- I
have other songs.
[INTERPOSING VOICES]
Are we going to upload the--
right now?
So what is the microphone on
this?
Is it this little-- this little
--
no, no, no.
The microphone's behind the
computer.
Oh.
Do you see it back there?
It looks like a little penis.
No, no.
No, it looks like a little butt
plug before it looks like.
Oh, it's a butt plug.
Yeah.
Oh, wow.
Can I-- yeah, let me take that.
That's exactly where the pickup
is.
Right.
Of course.
That's exactly why I shouldn't
have touched it.
Really?
This is a Sony?
It's my first Sony butt plug.
It was cool about it.
I've never seen this microphone
.
It's a conference room omnidire
ctional.
It's the way it is.
So you stick it in the middle
of a conference room table.
And you get a group-- that was
the microphone we used for the
Burton Thursday Night meetings.
So I plopped that down in the
middle of the room,
and that was what we used to--
one cow.
Does that kind of pick up you
very well from over there?
It probably will actually--
they'll be able to hear me,
but I'll be like drowned out by
the music,
given that it's on exactly the
same tabletop as the speakers
are.
Yeah, okay.
Should I turn off the music?
Maybe we should, like, move the
speakers onto the floor.
Okay, allow me.
[music]
Okay, this is sort of like the
late evening,
except the tone.
Oh, there's my phone.
[phone ringing]
What a nuisance.
I think it's Phil Windley.
Oh.
Phil Windley to the show.
Hello.
I knew it was you, Phil.
I just wanted to say we're
doing a podcast right now,
a trade secrets podcast,
but if you don't mind, we can
have our conversation
with the podcast going, or I
could go in the other room.
[music]
Well, my day is--
Good for the fight of luck.
Yeah, let's talk right now.
I don't think you're going to
be able to hear me.
Right on.
Yeah, I'm just going to say
this right now.
Right on.
So how are you doing, Phil?
I'll play a song.
I'm great.
Another song for you.
Pardon me?
Having class, yeah.
It's a great little scene.
I love Cuban food, and I didn't
even know that.
And I'm here with--
Yeah, but we're really good
friends,
and we're talking about the
stuff I love,
so, you know, what could be
better, you know?
[burps]
Excuse me.
Right?
Yeah, my having is nice.
Let's see.
What can we play here?
[mimics music]
Really nice.
[mimics music]
Well, what are you trying to do
?
What's the goal?
We should talk--
Are we back on the air?
Yeah, we're on the air.
Hey, we're on the air.
Maybe we should talk a little
bit to the people.
What do you think?
Yeah.
Well, hold on a second.
We have someone on the phone
here.
Man, it takes you a few tries
before you get this right,
but this is like the sixth time
I've started this audio thing.
I freaked you out, didn't I?
What is it?
It's an audio comment.
I just played it like someone
went on the phone.
Just freaked you out.
Clearly it worked.
Is that it?
Like they were talking to me.
Is that what he says?
Adam, this is Jim Christian up
in London.
This is what you know about the
new podcast I'm doing
called the Positive Things
podcast,
available from www.
What?
You don't want to let him give
you the URL?
Oh, yeah, not give me the URL,
but it was positing.net.
So that's how you do it?
Oh, this is a secret.
Yeah, I'm showing you my
secrets.
Is this not trade secrets?
Hold on.
Or I show you secrets of the
trade.
Does that mean you can get my
butt over there?
Secrets of the trade?
I don't-- I mean, this is
really low on volume.
Is that okay?
But where's the microphone?
Oh, here?
Where you put the plug?
Where's the microphone?
It's over there.
Well, it's better than below.
Well, then let's move it
towards us.
Let's move it towards us.
As I was saying before, let's
see, we're what?
Six minutes into this right now
.
Wow.
We have room on the disk for 52
hours, 11 minutes and four
seconds.
You think we should make some
coffee?
You think we could fit it all
in?
I don't know.
I also took a movie.
Yeah.
Oh, you did a movie?
I thought you were just taking
pictures.
No, let me set it to milieu.
Okay, so yeah, I took a movie.
Out the window.
It's like right now it's 5.30 p
.m. eastern time and the sun is
kind of going down.
Our window here faces east, so
we won't actually see the
sunset, but we will see it
reflected.
It's a lot like the building
across the way from us.
And I just took a movie of
people on the street out in
front of Collins Avenue, which
is where
the hotel is.
And so anyway, we're sitting up
here in my very luxurious,
beautiful suite.
It's the one they keep in
reserve for that one guy is
going to keep moaning and bitch
ing for better.
Well, I tip the dive rather
nicely actually.
I gave him 20 bucks.
And of course, there's going to
be somebody on the internet who
points out that Dave would have
to be a millionaire
in order to be able to tip the
guy 20 bucks.
Well, you know, George Bush did
send $10,000 of his own money
for tsunami relief.
There you go.
It's only the richest family in
the United States.
Well, and you know, I'm doing
my part.
20 bucks.
And unfortunately the guys,
well fortunately, I should say
his family was not included as
far as I know in any tsunami.
So, all right, having set the
stage and explained myself,
which I probably will have to
do many more times during this
podcast.
I'm looking at what is this a
power book, a titanium power
book?
I think, I don't know if it's
actually titanium.
What are you doing with that
piece of paper there?
I'm rolling up the smallest,
thinnest, spliffage I can.
Can I have a picture?
Yeah, of course.
Okay, let's get the paper.
By the way, I need to tell the
folks at home a little story in
case you're listening.
I was at the, you really want
me to take a picture of this?
Oh, like no one knows about
this, right?
Well, you know, oh, I'm taking
a movie actually.
Oh, no, not a movie.
Dave's not here, man.
Dave's not here.
Wow, talking about bad hair.
Oh, it's gone.
Thank you.
You're gonna like that one.
Probably not.
No, anyway, I don't think you
should, like they, I think
Customs listens to Daily Source
code.
Yeah.
Yeah, so I think they're flag
ged your passport, dude.
I don't think they'll be
carried.
Okay, you can take it out with
you, but I wouldn't be coming
back to the US anytime soon.
You know, but whenever Nick Jag
ger or one of those guys,
whenever they get caught, you
know, it's like, it's a big
news release and he's in jail
for three hours.
Well, now I get to say what
Lloyd Benson said, that I knew
Nick Jagger.
Nick Jagger was a friend of
mine.
And what?
I'm gonna tell you.
You are Nick Jagger.
Although walking down the
street without, without a curry
.
For a ball.
It was everybody.
And here in Miami, Miami.
Miami.
I'm sorry, I don't go for the
Southeast shit.
I think we're in Miami.
No, we're no home.
Listen, I wouldn't walk around
this place.
I wouldn't walk around.
I went for my daily walk
listening to you, by the way.
The daily source code.
The one where Madge promises to
sit on your face.
Oh, I'm still waiting.
It's really hot.
It's really fucking hot.
Oh, right.
Anyway, and just being the
weather outside was pretty hot
too.
And I was walking around and
there were some dumps around
here.
I'm gonna tell you this is not,
you know, it's glamorous and it
's, you know, it probably
looked really good in the 50s,
but there's a lot of run down
shit going on around here.
But that's what this is about
here, the South Beach area.
This is where all, when it's
winter in New York, this is
where all the models and it's
just, it's warm.
They got to keep their tans,
you know, going.
They got a roller blade here.
This is where they come.
They rent the cheap apartment.
On 11th Street and Pound.
But there is quite a, there's a
big fashion industry here that
people of course will eat
shit for to get into or there's
movies.
There's a movie industry.
Yeah, we saw a movie in
production actually, didn't we?
Yeah.
It's a pretty amazing place
here.
It's nice.
I feel like really hot weather.
It's a really nice place to be.
I mean, here we are, what is it
?
January 7th or something?
Yeah.
So, yeah.
Anyway, so I'm looking at Adam
's setup here.
He has something that looks a
lot like iTunes, but I guess
this is what a Mac looks like,
right?
How long has it been since you
've seen a Mac?
It's been a while.
Obviously.
This is what it looks like.
iTunes.
It's got the.
No, it's just a folder.
It's just a.
Yeah.
I know.
It's just a folder, right?
What's folder again?
Sorry.
So I bumped into these guys on
the street as I was doing my
podcast today.
And it was great because they
were selling their own CD.
And I heard the story, by the
way.
You already heard the story?
Yeah.
Okay.
You want to hear some of the
music?
Oh, this is.
Okay.
You have to give the intro
because they won't.
People at home won't know what
you're talking about.
Right.
So, well, I bought it.
Anybody can actually hear it.
Why not?
I don't know.
The graph is jumping.
Yeah, it's.
The mic is right there.
Yeah.
So it looks like two again.
Like a buck plug.
Okay.
Thanks.
Now, when you're driving in
your car, do you have that?
Use this microphone?
No, I don't use that microphone
.
You use the headset microphone?
I use the headset.
So you look like an alien while
you're driving with a headset?
No, I look like the pilot.
I'm driving my pod.
My theory actually, you know
what?
When I got that car in 1999,
right?
It looks good for a 99.
It's cherry actually.
Look at it.
It's got almost 50,000 miles on
it.
It's not exactly a brand new
car anymore.
And so, so in 1999, which I
think was before the iPod came
out, was it?
Oh, yeah.
Well, I got to let you know, I
called that car my pod.
Okay.
I'm not kidding you.
And you know what my wrap was?
I said, basically, everybody
should be issued one of these
at birth.
Here's your pod.
And good luck and have a great
life.
You know, it's like a human
being should have a pod.
And this seemed to me to be the
.
Perfect pod.
I mean, I don't know if I'm
going to get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
I don't know if I'm going to
get it.
He said he could tell that I
was holding the camera
and looking through the monitor
and not through the lens.
He was seeking to tell me, "He
's true."
I'm always shooting like that.
The problem is, I have a bad
spot in my eye.
If I look through the lens, I
actually don't see anything.
But this is direct output.
Oh, absolutely.
But what he says is that if you
do it this way,
you get a blurry picture.
But I have a secret for that.
Watch what I'm doing now.
You're taking a whole bunch of
pictures.
And the computer in here knows
which one's the best.
Really?
He knows which one is the best.
This camera does that?
Does it discard the old ones?
Or does it give you an obstacle
?
The bad ones.
It keeps the best one.
And Dave Winer, what camera is
this?
This is an icon cool, it's 3200
.
This, my friend, this is...
Let me position this for you.
We were talking about
positioning.
This is the brownie for the 21
st century.
The brownie?
Did you know about brownie
cameras?
Brownie?
Brownie.
You're too young.
Please.
Can I sit on your knee?
Tell me the story.
Shut up.
I'm so full-climbed.
The brownie was the thing that
you got for Christmas.
I think my mom had one.
Christmas 1957.
And it came in a brown leather
carrying case with a strap.
I don't even think they were
brown by the time I came around
.
They were these square cameras
that had flash attachments on
them.
And they cost like, you know,
20 bucks.
And they made them in the
millions.
Everybody had them.
And it was the thing that made
photography become...
So it was sort of like the
Model T.
Was that a Kodak product?
I don't know.
We can look it up.
Obviously we've listened to it
up on the web.
But I don't know if it was Kod
ak.
I think that it was generic.
I think everybody had made
brownies, basically.
And so this thing goes for
about 250 bucks, which probably
is about the equivalent price
today.
You know, adjusted for
inflation.
Right?
Yeah, there you go.
The brownie camera.
Right.
And for the thing that makes
this like a brownie, is you
turn the fucker on and you
point at
something and you click the
shutter and it takes a great
picture.
It just works.
So this is like a camera that
everybody can use.
And I've tried a lot of them.
I think that would be the brown
ie of the 21st century.
These are brownies?
Yeah, that's the one.
Oh, because that's really the
box camera is what I call it.
Well, the one above you call a
box camera.
But the one below, maybe, I can
't see it that well.
It's a little far away.
List in description.
Go back to Google and click the
images link.
The picture is the most useful
thing here, I think.
Yeah, those are old brownies.
That's probably getting close
to what you said.
They had brownies like in the
one with the pop out.
That's kind of cool.
That's wailed.
Yeah.
They had brownies like in the
20s and the teens and stuff
like that, of course.
I wasn't born until 1955.
This is the one here.
This is the brownie like
plastic shell.
Those came out when I was a kid
.
So when you were a kid, what
kind of cameras did your
parents have?
My dad was a super eight
millimeter guy.
And we lived in Uganda for
three years.
You did?
Yeah.
You lived in Uganda?
Yeah.
And Abote was still president.
Was he the enemy?
Just before we left when the
tanks came rolling in.
That's when good timing.
Well, yes, it was everybody.
I remember a lot because we,
you know, we lived in this hum
ongous house.
I remember a lot of things.
Just a little child memories.
But anyway, we have at least a
hundred spliced together roles,
like big roles of eight
millimeter
super eight home movies.
Yeah.
And one day I keep promising
myself, right?
One day.
So anyway, the director and
back, there's your list of that
's your iPod of directory right
there.
Look how many are managed by
someone else.
Yeah.
You have business, comedy and
humor.
How can we explain that to
people?
I mean, it is such a cool thing
.
But I think so few people
really understand.
I like what Doug Katie with it
with it.
I think I can conversation.
You built that as a whole tree.
Yeah.
You got a little free time.
Kind of gets OP about it.
Yes.
Doug Doug.
It's sort of like you can build
your own trade show booth.
It's like a trade show and
everybody gets to build their
own booth.
Right.
You can make it as big as you
want.
We don't charge you anymore.
Exactly.
So exactly.
Exactly.
So what I did is like I wrote
this software or the script and
put it that way and here's
scan iPod of directory.
So now it's going to go through
this.
Actually, it sucks in a new
fresh copy.
Interesting.
Oh, it does OP that go down
stuff like that.
No.
It compiles the XML.
Yeah.
Exactly.
That's faster.
Yeah.
So now it's already found a new
URL.
So it's putting that into a new
URL bin.
But this is I asked you about
the positive here.
The it is the positive thing
podcast.
So that's already in the
directory.
So that's going to pop up in a
second is new.
So you found a new one.
Yeah.
It found a new one.
So it's trying to pull in the R
SS to validate the feed, which
it may not do.
If it can't validate how does
it validate the feed by just
compiling by compiling.
Oh, you should shoot it over to
we should make possible for you
should to shoot it over
to the debugger, the debugger
and let it do a little more
detail.
Well, here's what I'm doing.
The way I put it is if your
feed is not right, then the
directory scanner is going to
skip
you this time.
Right.
We can put a better test in
there for you.
Okay.
So the XML is not enough to say
that it's a feed.
Right.
Because it could be on a format
.
It could be well, XML and
actually the the compiler that
I'm doing on the XML safeguards
me against a lot of that.
You probably you probably
caught a lot of problems that
way.
People who make honest mistakes
and they point to an HTML file
and you know, it's unfortunate
they made a mistake, but you
sort of you don't want to add
their mistake to your world.
What I think is happening right
now is I think our connectivity
just out there goes.
See now here you go.
So it's traversing the entire
file.
And it's good.
And so it's also now it's
connected to it conversations.
com.
So it's going to traverse the
IT conversations, OPML file.
That's excellent.
Yeah, but our cartilities
fucking sucks again.
So you know, it's sitting there
.
I don't think it conversations.
Hey, well, this is really the I
'm only up to like Tuesday, the
daily source code.
So how is your kind of duty in
your project?
I'm glad you asked.
I don't know 100% for sure, but
I have all the technical I mean
, I'm in the technical
email loop, you know, so they
give you this is a business
broadband.
It's not a consumer broadband.
And so it's kind of like they'd
be sending these messages to
the to the IT manager of
the Curry Corporation in Guil
ford.
Make sure it goes to the right
place.
You don't want to think any
chance.
Of course, you want the CEO of
the current corporations to see
that.
So basically, you know, I can
plug in the router.
It will work and they noticed
that I hadn't.
I was like, let me notice that
and they called up.
So they can see the router over
there.
Yeah, well, I see the router
that is not connected because
the router is still in the box
because
I would have to instruct
Christina or Patricia.
Now, I don't know what the
router looks like in my head.
So maybe we could get a script
ing newsletter over your house
instead of installing.
I mean, well, you're going to
be back when on Sunday.
Yeah, whatever.
You have a long flight.
So you're going to get that
great upgrade going back the
other way.
I don't know.
You know, that's the dream
upgrade.
Everybody wants that.
And of course, that's the sleep
over flight when you really want
to.
You wanted that one.
Well, I got it coming here, but
that was like a day flight.
Right.
So I'll leave it.
It's the other way.
Yeah, where you want to.
You can't avoid the sleepover.
No.
The nine hour flight.
No, it's going to be less.
It's nine hours coming over.
It's not just tailwind.
It's different route.
We had a tailwind actually in
the silt of nine hours.
They just left later.
Interesting.
Yeah.
That's like, you know, it wasn
't such a coincidence that we
landed here at the same time.
I knew when your flight was
coming in.
I didn't really know about a
kind of new sort of like I had
a feeling when it was coming in
.
I actually thought I was coming
in later, but okay, see there
it goes.
A connectivity here is blowing,
but then okay, so let me just
explain.
That was so bad because it's
not dying.
Well, that's what I'm worried
about.
Oh, that would just run.
And so what this does is when
it finds new podcasts, it's
going to open up an outline for
me.
It's going to put the new
podcast in, but those podcasts
have already been posted on iP
odder.org through XMLRPC.
Really?
Already now?
No, you'll see.
It's going to pop open an
outline.
Automatically.
Yeah, it's going to pop open an
outline.
It's going to say, hear the new
podcast and the outlines
already with the link in them
so I can copy and paste it into
the text.
But is a new one for everyone
or do you like, do you put only
one new post on iPodder.org?
You put one for everyone?
One for every new, yeah,
because sometimes people have a
nice long description in their
RSS feed.
That shows up.
So I'm pulling all that in.
So I'm basically linking to
your homepage or your URL.
People feel good about that.
They immediately on arrival get
a place.
Yeah, yeah, yeah, yeah.
And do they flame you for that,
by the way?
Who?
Everybody.
Flame me for what?
For doing that.
For doing what?
For being on it.
Oh, yeah, of course.
People love flaming nice things
.
Nice guys lose, Dave.
That's what I'm saying.
You don't know that?
They're losers.
Look, here it comes.
You see?
Here it's open.
Yeah, what is that?
So these are the new, what's
new?
These were found.
Well, this isn't, this is just
my workspace, what's new.
Right.
I can then paste them in
wherever I want because I also
maintain nodes.
I don't know where the shit's
coming from.
So usually what I do, it's
still processing, right?
So it's still going through
everything.
So I go over, this is cute.
Firefox looks like shit.
Yeah, I think this room has a
virus.
Oh, here we go.
My computer over there, totally
disconnected from this one.
There you go.
New podcast.
As of right now.
Yeah, see?
Here they are.
222 PM.
Let's see.
This is just pulling in the
description.
242, but it's not 242.
This is 5W.
Yeah, this server is on.
You know what?
Should I move all the servers
back to East Coast?
East Coast this time.
Because I'm not planning to go
back to the West Coast anymore.
That's it.
It's over.
Yeah.
At some point I'm going to do
that.
I've been wondering when the
right time to do that is.
Oh, the stinking podcast.
It's like when I was a kid, we
'd go bowling and my mother, I
would make a mistake in scoring
the game and my mother would
say sometimes, "Well, you know,
maybe that's what you'll bowl."
So, you know, it's like, don't
change it.
Maybe you'll get three strikes
in a row, you know, whatever.
So, maybe I'll end up back on
the West Coast.
I figure I need to give this a
little burden.
But then everything that I post
today gets pushed down.
What kind of pissed about that?
No comments on.
Excuse me.
You posted really early.
I haven't run my scan.
You had your time.
You're right.
No comments.
You're right.
Wonderful post.
Well, read it out loud.
Okay.
This guy explains what podcast
ing is.
And frankly, I thought this was
one of the most pithy
descriptions that I've ever
heard.
Okay, but why would anyone
comment?
I mean, you're sending people
off to read his thing, right?
I know.
They didn't really want to read
it.
Podcasting shows once again how
a commercial technology
invented for a specific purpose
,
in this case, the digital music
player, which reads its pinn
acle in the Apple iPod,
can be creatively repurposed to
more democratic ends by
independent software developers
,
that's us, using open
technologies like RSS and XML.
Thank you.
Thank you, by the way, for
noticing.
And fuck you.
I'm talking to the guy who
wrote that.
It was a perfect opportunity to
stir things up.
Yeah.
He's calling right now.
Hello.
Hey, Ron Bloom.
We're doing a podcast right now
, believe it or not.
Is there anything you'd like to
say to the people?
I don't think I'll pass that
one on.
Oh, boy.
It was a little race.
I don't want to know.
I, yeah, appodulate.
Oh, Ron's feeling better.
P-O-D-U-L, the number eight,
because that would be the
official way to do that, right?
Podge.
So why don't you come up?
Why don't you come on up?
Oh, you're on the third floor,
aren't you?
Why don't you pop on over and
say hi to the people with your
own voice?
All right, we'll see you soon.
Cool.
Ron Bloom, everybody.
Ron is ready to do a podcast.
You know how I know?
How?
He says, "Hey, everybody."
No, really?
No.
I mean, yeah, but it was pretty
good.
I had you go in there for a
second, didn't I?
Shut up, man.
Yeah.
We're having this at the
College Doorman podcast.
The great sequence.
So play some music for the
people.
Right on, baby.
Can I just, can I choose?
Can I be like, I got music from
the guy that I met on the
street.
Of course.
It's up to you, baby.
Here's the song, "Half Dead N
iggas."
Well, you're likely to get in
trouble for that one.
They gave me this.
It bought the CD off him.
Yeah, but no, no, he's not
going to get you in trouble.
Somebody who doesn't like the
word "cunt" is going to get you
in trouble.
Okay.
Let's not play that.
Cunt, cunt, cunt, cunt, cunt.
Let's see.
They did a song with--
The whole world is mad.
Wow.
This is--
What's kind of scary?
This is these guys with Angie
Stone.
I don't like it.
Where are some people?
Oh, here we go again.
There's a car.
I'm looking for people.
How about someone from the '60s
, Dave?
Yeah, I like, you know, the '60
s.
You know what, let's play the--
Does Adam have it in his iTunes
game?
Go.
'60s, '70s, '80s.
Oh, you're asking me?
Yeah.
No, I'm waiting for the
listeners to call in.
I could call you on your cell
phone and play a listener.
'60s, '70s, '80s.
And you know what, you can like
, pretend that--
No.
'60s, '70s.
Just anything.
What can they get some--
"Harm of Chameleon" by Boy
George.
No, I can guarantee you almost.
You don't have that one.
Name a song from the '60s or '
70s.
Let's see if I have it in my
iTunes.
From the '60s or '70s?
Yeah.
And that you don't mind getting
sued over a play.
But it'll be low-res.
Yeah, it'll be low-res.
It'll be low-res.
You know what I say?
No-res like low-res.
You know what we play?
Have a seat.
You know what we play like,
like, "Few Barbless," you know?
Yeah, exactly.
You guys know fun.
I'll just play some shit.
Play some stuff.
Yeah.
So this is how we do it, Ron.
This is it.
This is the magic.
This is the podcast, man.
The podcast environment.
This is it.
This is the mic.
This is the dorm room.
The podcast situation.
That was either a microphone.
Or a butt plug.
We've been through that.
Small, utilitarian stimulation
device.
What's the time on the thing
there?
31 minutes.
31.
So we should go like another
five minutes?
Yeah, not too much longer.
Okay, then I'll have to play.
[music]
In my white room.
White room.
Bring it on.
Listen to how bad this empty
tree is.
It's like completely compressed
.
[music]
In my white room.
With my cutlets.
In the station.
[music]
Oh, no.
We've got to play this Friday.
[music]
Oh, that's the way you've got
to play.
[music]
I smoke two joints before I
smoke two joints.
And then I smoke two more.
I don't have that.
Dead, dead, gun-fly in the
middle of the road?
I have that.
I like Friday on my mind.
That was good.
Play that.
And while you're doing that, I
'll get you.
I smoke two joints.
Okay.
Mellow yellow?
Well, that's actually some more
.
See you hear me?
Mellow yellow?
Donovan?
Yeah.
I bet you I had Donovan.
They call it Mellow Yellow.
Oh, fuck.
Of course I don't.
Do you have some other stuff
from the Mellow category?
Music.
Donovan, probably have the
universal soldier.
Oh, that's a sucky song.
That's horrible.
Yeah.
That's like being compressed.
So who is it?
Was that Peter Todd?
What's going on?
What's up?
Bob Marley.
I've legalized it.
That's a good one.
What's going down?
What was that one?
Oh.
That one's probably still.
What's that sound?
Two eight.
Everybody look at that.
What's going round?
Stop, baby.
What's the sound?
That one's still, right?
No, no, no, no.
That was...
Wait, let's sing it now.
Stop, hey.
What's that sound?
Everybody look.
What's going down?
That didn't work.
It didn't get it.
Yeah, but who the fuck was that
?
This was you.
You know, you really have to
play.
Okay.
Sly.
And the family's done?
Oh, yeah.
Because that shit rocks.
This is a good time to watch
Google Desktop search, though.
I don't have Sly.
Oh, man.
You believe that shit?
I believe in everything.
That's stupid.
I feel bad.
Do not have any Sly.
Blood sweat and tears.
I might have blood sweat and
tears.
Without Cooper.
Some blood sweat and tears for
you, everybody.
Can you name it?
That is...
You make yourself incredibly
happy.
That's...
You see the stumpy?
I'm very good at this.
Oh, oh, oh, oh.
I can't stump you.
Oh!
Sorry.
No, the conflict has been
thrown.
Thanks a lot.
No, but it's a good game.
Yeah, hold on.
You gotta like play...
Okay.
I know it.
You can't have the...
No, no, no.
Wow, I thought you were ready,
but you weren't.
It's the same note.
Play it.
I give up.
Wild thing.
Yeah, wild thing.
So, the version of hanging on
to sleep was weird today.
Yeah, yeah, yeah.
It was the third.
It was...
Okay, yeah, but this one.
I'm sorry.
That was wild thing.
I think you need a buddy.
The deer?
Oh, shit.
You know it.
We need some more of that.
Okay.
I was close, yeah.
No.
Oh, come on!
Come on!
He's got a humongous cock.
Tom Jones, Green Green Grass at
Home.
This is from like your era.
That is an oldie.
Thanks a lot.
They're talking to you about
brownie cameras, right?
Yeah, because you're wearing
brownie cameras.
Oh, yeah?
He's also a nice one.
They're good about reputation.
You know this?
Tim Hardin?
How can we hang on to a dream?
Wild thing.
Now, didn't you plan some
stacks records wrong?
Yeah, not that.
Oh, I told my source code
listeners about The Princess.
I'm going to put you in the jo
ys, because that's how this one
has to end.
Yeah.
Okay, but you don't have it.
I do.
I'm going to put it in the joys
.
Okay.
Well, this is totally the dorm
room version, because I think
we communicated nothing.
Yeah.
Now we talked about the
directory. That was good.
Well, it wasn't about
communicating shit.
True.
It was more about ambiance.
This is Robinson.
And Dave Warner.
I'm a cowboy.
Hiya! Welcome everybody!
This is the fucking Madge!
Listen to, guess the song
contest.
Alright!
Ron Bloom!
I got one.
Man, Ron Bloom!
Nice Jewish boy from Atlanta.
What song is this?
I don't know yet.
No lo se.
I think I fell asleep before I
heard it.
Oh, you made ya, Tom!
Oh, that doesn't count, I guess
.
So, you get the actual...
Oh, we were around.
Nope.
Shit.
Oh, wow!
Wow, I haven't heard that beat.
That's got to be way more
sensitive.
That one dies.
That one officially has never
been played.
I got some good...
Okay.
Do I yell at you?
Yeah.
No, Skype it to me.
Hold on.
Let me...
log on so everyone can
immediately start sending me
authorization requests.
You can send me the song.
Is this stereo, right?
Yep.
Oh, no, the mic.
The mic?
It's a conference room.
Okay.
I'm up.
I don't see you.
I see you.
You have any call you?
Or I am me.
Did you receive?
No.
Why don't I upload it to my
gems folder?
Oh, there we go.
Okay.
Hey, everybody.
Alright, send me...
the file.
Send me a shrubbery.
Okay, here's another one we're
waiting for that.
Wait a minute.
How do you get to that?
Hey, you said the file.
Man, I'm missing heavy.
How?
There's a send file button.
Where are?
On Skype.
You're not enabled, my friend.
You're still grayed out.
I feel enabled.
I see you.
First you have to get validated
before you can feel enabled.
You see the message?
You need Dr. Phil.
Hold on.
I'm going to send you the file.
You just click on me.
I heard something.
Oh, there we go.
Hold on.
Alright, good.
You can stop now.
Alright, so now I just drag
your fucking file on there, hey
.
I don't know.
Is that how you do it?
Does he normally do it?
It's Bob Marley.
Okay, there's a send file
option though.
You can only send files to
people who have authorized you.
You're authorized.
You need to authorize me.
You're authorized.
How do I authorize you?
I got the same fucking message
again.
How do I authorize you?
I guess, time you could have sn
ickered it.
Yeah.
Well, this is so fucking...
Don't go away.
Request authorized.
I'm going to upload it to a
server.
Wait, here.
Request authorized.
Who are you to order a sheet?
Request authorization from me.
I have to request authorization
.
Yeah, just do it.
How do I do it?
Under contact.
Put your cursor on me.
I didn't make it.
I didn't make the fucking
program.
This is so fucking humiliating.
It is.
Oh, wow.
How do I do it?
Now we got that one.
Can't rule that one out.
We can't rule that one out.
I'm not a fucking fan of this.
I'm not a fan of this.
I can't even have a fucking
name.
I lost it now.
I thought we were going to
crack the road.
I'm Ula Rana from the Love Guy.
Yeah, Elvin Bishop.
Actually, Mickey Thomas sang it
.
I'm Ula Rana from the Love Guy.
Yeah, Elvin Bishop.
Actually, Mickey Thomas sang it
.
I'm Ula Rana from the Love Guy.
Yeah, Elvin Bishop.
Yeah, yeah.
Dutch guys.
Yeah, Abba.
Abba, they're not Dutch.
Chief Trigg.
Chief Trigg is not Dutch.
Wait, what's the fucking name
of the song?
Red Arlo.
Yeah, Ramloom.
Red Arlo.
Golden Earring.
By the way, I have the right to
play this song, by the way.
Bill and Fokota gave me the
right.
Anything he owns, I can play on
my show.
Another radar level is gone.
I've been driving all night.
My hands went on the wheel.
No, we don't want to play that.
That was good. I love that.
I don't know what it is.
This was a very important
record.
This was the first record where
rock and rap came together.
Erich Midden.
Right, D&C.
School D&W with McGill and Gou
ge.
We're talking and saying...
It's the album version, of
course.
So, Dave?
This century?
We have the URL.
That was a live version of
Scarborough Hill.
Forever?
Yeah, by Simon Bartholme.
Where do I find it?
It opened up
your Skype messaging window.
Shmucko.
Or go to...
Got it.
This is the penultimate
Friday afternoon, Friday
evening,
6 o'clock
knockoff work song.
That's all.
What's that song?
Why don't we get Drunken Screw
ed?
That's the best one.
This is pretty much that song.
Most excellent.
Okay, we're sucking it in from
Dallas.
Bob Barkley, everybody.
[music]
You know, I always thought it
would hit me.
[music]
Alright.
Actually, that was the song
that they played on K-Fog every
Friday night.
That was the...
They got away with it, too.
So,
will you turn off your polar
bits?
No, polar bits.
Well, let's say goodbye,
everybody.
Goodbye, everybody.
See you all real soon.
Maybe we'll do another trade
secret
before the end of the year.
You know.
To keep up with our schedule.
Check out the website
because we're going to have
some movies for you.
Okay, everybody?
Okay, Ron.
You want to say goodbye?
See you later.
[music]
[MUSIC]